The frustrated, blocked writer has been at the center of some excellent films, including "Sunset Boulevard" (1950, featuring a naive William Holden) and "The Shining" (1980, with an insane Jack Nicholson). The writer in "Mother!", a needy, self-consumed, nameless Javier Bardem, yearns to recapture the Famous Poet status he once had.
Seeking stimulation, intense experience, and ultimately adulation of the highest order, he invites a series of strangers into his isolated (it lacks even a driveway) Victorian mansion, much to the chagrin of his much younger, devoted, overwhelmed, socially isolated, and soon-to-be pregnant wife (Mother, played by Jennifer Lawrence).
Things get out of hand, first in small ways guests/invaders, among them a wonderfully irritating Michelle Pfeiffer, violate the couple's space and privacy and call their relationship into question then on an epic scale that some viewers will find excessive, others gross and offensive.
Religious symbolism abounds: Cain and Abel, the virgin birth, the stigmata, and a horrific communion. "Rosemary's Baby" meets "Apocalypse Now."