February 23, 2018 | Rome, Italy | °C
Search film reviews:
Genre: Keyword:



Here's a sweet tearjerker about animated vaudevillians trying to restore a theater.


I, Tonya

An engrossing docudrama covers the life and times of one-time Olympic figure skater Tonya Harding.


Toni Erdmann

Maren Ade's "Toni Erdmann" has some comic genes, but something far more serious is going on here.

Baby Driver

Writer-director Edgar Wright's musical caper has bright, shining moments, but they fade.

All the Money in the World

Ridley Scott's retelling of the Italian kidnapping of John Paul Getty II elicits superb work from patriarch Christopher Plummer.

The Post

Steven Spielberg effectively brings Katherine Graham and the volatile Pentagon Papers era to light, but takes few chances.


Dee Rees' saga of white farmers eking out a living in the 1940s Mississippi Delta deserved greater acclaim.

Darkest Hour

Gary Oldman's portrayal of Winston Churchill is the bright, shining light in a film about England's time of woe.


The Killing of a Sacred Deer

Greek director Yorgis Lanthimos' psychological thriller borrows from both Greek tragedy and horror and emerges triumphant.

Science Fiction


Denis Villeneuve's alien landing movie tries hard to be hyper-intelligent, but ends up falling flat.

Date: 2016
Directed by: Denzel Washington
Starring: Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Mykelti Williamson


Based on the 1987 Pulitzer Prize-winning play by the late August Wilson, "Fences" derives its power from its dominant lead character, Troy Maxson (a superb Denzel Washington, who also directs). Im Pittsburgh of the 1950s, Troy is a garbage collector with a checkered past. He played in baseball's Negro League but never made it to the Majors. Now, he spews his bitterness at life and the burdens of racism.

Washington's larger-than-life Maxson is overweight and slouching. He alternates between charisma and menace and brooks no challenges to his behavior, values or worldview. His younger son Cory (Jovan Adepo), as tightly wound like his father, can barely restrain his anger at his father's "tough love" ("Who says I have to like? you?" Troy tells Cory).

With one shocking exception, this overbearing father-brother-husband sees relationships and core duties as one and the same ("A man is supposed to take care of his family.") Troy feels compelled to prepare his son to cope with the racism he faced while growing up in pre-World War II America. Holding his life together comes at great emotional cost, taking up so much physical and emotional space that few others, including his wife Rose (Viola Davis), can enter the picture. Only late in the story, when Rose finally challenges him, do her strength and pain show through.

The film's weakness is its stage-drama feel. Washington and Davis reprise roles they played when the play was revived on Broadway in 2010. There is little in Wilson's screenplay (written before his death in 2005) or Washington's direction that effectively transforms fine theater into fine film. Only a few minor scenes occur beyond the backyard, where a fence sits in half-finished stasis.

Washington has called the work Shakespearian. Indeed, Troy's fatal flaws have a Shakespearian quality. But some of Shakespeare's plays have been successfully adapted into vibrant films. Still, "Fences" is a must-see experience for the magnificent work of Washington (above all) and Davis. Secondary characters also shine, including actor and University of Buffalo theater professor Stephen Henderson as Bono, Troy's friend and the only one who seems to be able to talk sense to Troy, enough to make him think twice. "Some people build fences to keep people out," Bono says of the overly obvious symbol, "and other people build fences to keep people in."

Reviewed by: William Graebner and Dianne Bennett
Day and Boarding International High School in the Heart of Rome

Everything you need to know about visiting or moving to Tuscany, Italy.