Thanks to Mitchum, Jürgens and a tight script, one submarine movie always resurfaces.
Charlize Theron is transformed into a fashionable action hero in a director David Leitch's thriller.
Antonio Campos' take on the Christine Chubbock suicide is all about the stunning Rebecca Hall.
Twenty-five years later, Woody Allen's ode to radio and Brooklyn hasn't lost its sheen.
Director Ferzan Ozpetek's highly acclaimed 2003 film epitomizes his affection for melodramatic themes.
Sofia Coppola's remake of "The Beguiled" fails to live up to its considerable promise.
Fred MacMurray and Barbara Stanwyck are gifted actors but they can't dance the sizzle.
Stephen King's epic saga gets a star turn from Idris Elba, but the rest is pure industrial light and magic.
Director Patty Jenkins' smart take on "Wonder Woman" is an action-movie lover's delight.
Michael Fassbender steals the show (twice over) in director Ridley Scott's latest "Alien" prequel.
Directed by: Stanley Kramer
Starring: Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins
On the Beach
Hollywood's clunky adaptation of British-Australian novelist Neville Shute's post-apocalyptic novel of the same name is static, predictable and never really as ominous its grave subject matter. But given the film's 1959 release date none of that may matter. Atomic apocalypse fears peaked in the late 1950s, with the 1962 Cuban Missile Crisis dialing up the volume even further. As a morality tale about a world gone mad (at a time when the world seemed mad), director Stanley Kramer's black and white production tugged at an array of anxieties, and that by itself may offset its many weaknesses.
A muted Gregory Peck is Commander Dwight Lionel Towers, commander of an American sub USS Sawfish that's made its way to Australia after nuclear fallout from an unnamed conflagration has wiped out the northern hemisphere — killing the captain's family and that of the crew, though all remain in semi-denial. The stiff-upper-lip Aussies know the fallout will soon blow south, making all good cheer ring fake. Towers is named de facto American commander and sent on a last-ditch mission northward where a signal's been picked up. It's an eerie voyage that includes images of an intact but deserted San Francisco.
In Australia, he becomes involved with Moira Davidson, a miscast Ava Gardner. Only Fred Astaire in an atypical role as guilt-ridden nuclear scientist Julian Osborne — at once angry and self-destructive — saves the movie from repetitive doldrums. Young, brooding Anthony Perkins is Lieutenant Commander Peter Holmes, an Aussie (father of an infant) charged with projecting the melancholy face of hopelessness.
As a period piece, "On the Beach" balances fear, resignation and romance in the way some better post-9/11 filmmaking placed terrorism in the nagging backdrop of unrelated human drama. Once upon a time, the atom bomb trumped all around it as a source of social anxiety and public protest. Says Astaire's Osborne: "The war started when people accepted the idiotic principle that peace could be maintained by arranging to defend themselves with weapons they couldn't possibly use without committing suicide." This is lest-we-forget filmmaking that retains relevance decades later.Reviewed by: Marcia Yarrow