April 20, 2018 | Rome, Italy | °C
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Lady Bird

Greta Gerwig's "Lady Bird" gets fine work from Soarise Ronan, but ultimately flubs the script.


A decade later David Fincher's serial killer film still stands tall as a study in administrative futility.

Phantom Thread

Paul Thomas Anderson's dives into the British fashion world of the 1950s, and creates an difficult romance.

American Made

Tom Cruise is in top form in Doug Liman's sly take on the life and times of one Barry Seal.


John Carroll Lynch's ode to veteran American actor Harry Dean Stanton is a small-town masterpiece.

Darkest Hour

Gary Oldman's portrayal of Winston Churchill is the bright, shining light in a film about England's time of woe.

My Cousin Rachel

Roger Mitchell's "My Cousin Rachel" is 19th-century period drama without surprises.


It Comes at Night

Trey Edward Shults' low budget thriller links a killer plague with human mistrust and fear wins out.

68 Kill

Trent Haaga's screwball horror flick is crazy girl power on blood-spangled speed.

Science Fiction

Pacific Rim Uprising

The first "Pacific Rim" included a nod to the human race. The second is pure monster alley.

Date: 2016
Directed by: Antonio Campos
Starring: Rebecca Hall, Michael C. Hall. Tracy Letts, Maria Dizzia, J. Smith-Cameron. John Cullum, Timothy Simons


On July 15, 1974, a month before Watergate-tainted Richard Nixon resigned the presidency, a local TV news reporter in Sarasota, Florida named Christine Chubbock told a live news broadcast audience that in keeping with her station's "blood and guts" approach to local coverage she was about to present a television first. She then shot herself in the head.

Director Antonio Campos' fictional recreation of the events leading to her suicide is emblazoned with one name only, Rebecca Hall. It is Hall who plays the troubled and vaguely maladroit Chubbock, a 29-year-old who despite her adult job seemed locked in a child's uncomprehending world, unable either to understand it or meet its sexual, emotional or professional demands, hating herself as a result. "My life is a cesspool," she tells her protective but uncomprehending mother Peg (J. Smith-Cameron), with whom she lives. More to the point, she fiercely and severely challenges herself "to make sure that I'm really saying something," but never seems to measure up to that challenge, let alone know what it is she wants to say.

No one knows why Chubbock did what she did. Campos hints at a strange brew of depression and inner attention-seeking, the latter triggered by an awkward and unrequited crush on anchor George Peter Ryan (Michael C. Hall). He pays attention to Chubbock's interest in performing with hand puppets for children, as if the puppet conversations provided the subtext to some inner monologue. But these details may be beside the point, since Hall's performance is so alarmingly true to human discomfort with the world, absent meaningful friendships and relationships, that the suicide needs little explanation. It is seamlessly persuasive acting, giving the film its purpose and drive.

Chubbuck's suicide gave Paddy Chayefsky the idea for his groundbreaking1976 black parody on the dangers of TV narcissism, "Network," with Peter Finch playing a washed up anchorman who promises to commit on-air suicide but not before uttering the epochal line, "I'm mad as hell and I'm not going to take it any more." Footage of the Chubbock shooting was never shown after the live broadcast and thankfully remains out of Youtube's reach, at least so far.

Reviewed by: Marcia Yarrow
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