Jensen Beach's 15 stories are set in Sweden and convey equal doses of wisdom and melancholy.
Amelia Gray is adept enough with grotesqueness to make it feel second nature, and that's a gift.
Modiano's slender 1978 psychological thriller remains a superb and disturbing Parisian novel.
Jesse Ball's study of teen alienation, while persuasive, heads for and reaches a dead end.
Osama Alomar's latest collection of stories in miniature prove his worth as a Mideast magical realist.
Fleur Jaeggy's latest book is a stunning collection of short stories in which the living exist to seek exit.
In Peter Stamm's latest novel, a loving husband takes a walk from which it seems he never returns.
László Krasznahorkai's newest collection of stories is yet another ode in his ongoing courtship of oblivion.
British author Fiona Mozley's debut novel is a rural thriller that never relinquishes its grip.
Neel Mukherjee's "A State of Freedom" is a beautiful and terrifying trip into India's rot and wonder.
Jews Without Money
By Michael Gold
Carroll & Graff, 1996, . 309 pages
The title says it all: part autobiography, part Marxist screed, this fictional autobiography, first published in 1930, chronicles the life of the Gold family on New York's Lower East Side in the decades around 1900. The cast of characters is a who's who of seedy city life: schnorrers, prostitutes and slumlords.
Gold's prose is primordial, stripped to the bone, yet the story takes unexpectedly tender twists, especially when relating the European childhood of the narrator's parents. At times he seems to have forgotten why they had emigrated in the first place. The book's message is clear, however: America has defeated the old-time religion of the author's immigrant parents and has replaced it with the God of Capitalism.
Instead praying for the Messiah, Gold's protagonist lyrically pines for the coming of the Workers' Revolution. Take it or leave it, it's worth reading for the punchy prose. With an introduction by Alfred Kazin.
Reviewed by Marc Alan Di Martino