David Bezmozgis' debut is a quiet marvel about Latvian Jews in Toronto.
Per Petterson's portrait of a haunted man is both skeletal and convincing.
Alejandro Zambra's novella tackles life, death and Chile — hold the politics.
Little short of Flemish dreams can prepare a reader for vintage McCarthy.
If you're looking for 21st-century existentialists, Mr. Stamm's your man.
Thomas Bernhard's philosophical masterpiece is 250 pages of unfiltered genius.
Paula Fox's 1970 novel is a beautiful portrait of the bloodshed contained in ennui.
Clarice Lispector's forgotten classic is a rumination that defies known gravity.
Young Werther is minor league when it comes to Teutonic crankiness.
George Saunders climbs into the belly of the beast and emerges with Eddie the Vacant.
Gentlemen of the Road
By Michael Chabon
Ballantine Books, . 204 pages
Clocking in at a scant 204 pages, it would be inaccurate to call "Gentlemen of the Road" Michael Chabon's second published novel in six months. In fact, "Gentlemen" reads more like a novella, something to be read with the lights out or around a dying campfire. Surely this was Chabon's intention, as he is the reigning master of High Genre Fiction.
But unlike his truly masterful "Amazing Adventures of Kavalier & Clay" and nearly masterful "Yiddish Policeman's Union," both of which used genre-play as a template for serious fiction (does the term make us cringe?), "Gentlemen" lacks a convincing plot and well-drawn characters. The action is set in Khazaria, a mythical Jewish kingdom wedged in between the Caspian and Black Seas, around the year 900 C.E.
The heroes — or "gentlemen of the road" — are a pair of horse-thieves, a huge black African named Amram and a wiry Frank called Zelikman. The book is almost nonstop action (knife fights, chases, cursing by humans and animals in various languages), although one gets the impression Chabon himself had only a vague idea of where it was headed as he was writing. The reader is left boggled by illustrious locutions like, "…despite his protestations of senescence, which were universally regarded as gamesmanship…" Chabon, one of our great novelists, could have benefited from a re-reading of the Elements of Style.
Reviewed by Marc Alan Di Martino