The American: For Italy & the World
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Tinker, Tailor, Soldier, Spy
Philip Roth's veiled autobiography about early 1950s college life makes little headway on screen.
The movie version of a Dave Eggars novel wastes Tom Hanks and leaps headlong into cultural cliché.
The prequel to "Cloverfield" is an ode to the menace of John Goodman, who steals this show.
David Farr's creepy thriller about babies and unstable mothers is at once unsettling but predictable.
Alejandro Amenábar's mediocre devil-worship thriller is really an object lesson in manipulated hysteria.