Theodore Melfi's movie about black women at NASA in the early 1960s is driven by Taraji P. Henson.
Mel Gibson''s return to directing is a World War II epic about a heroic conscientious objector.
Sean Ellis' attempt to recreate the assassination of Reinhard Heydrich is smart but choppy.
Ron Howard's Beatles' portrait sets its sights on tracking the band's rise from obscurity, and does so brilliantly.
Stalwart Tom Hanks again proves that given the right story and the right script, he's today's Jimmy Stewart.
Peter Berg lets fire dictate the terms in his story of the 2010 Deepwater Horizon oil spill.
Macon Blair channels his inner Coen Brothers vibe to sketch out a screwball noir.
A punk band "lost" in the Oregon woods opens the door to gleefully gratuitous violence. The end.
Once upon a time, director Paul Greengrass gave Jason Bourne a soul and some depth. No longer.
Yorgos Lanthimos's wondrously bizarre love parable creates a credible alternate universe.
Directed by: Robert Redford
Starring: Robert Redford, Meryl Streep, Tom Cruise, Michael Peña
Lions for Lambs
It's understandable to make want to make an idealistic political "thriller" about the twin-pulls of duty to country and Iraq-tempered skepticism. But only a strong and coherent story, "Syriana"-style, can save such an undertaking from becoming that least appetizing of animals — the liberal Hollywood sermon. There's no saving director Robert Redford's cut-and-paste job about idealism gone awry. Start to finish, it's plagued with bad planning and hackneyed pitfalls — a bit like some war efforts.
He loosely ties together a California political science professor (Redford), a gung-ho U.S. senator with a new plan to "win" in Afghanistan (Tom Cruise), a skeptical reporter interviewing the senator (wasted Meryl Streep), and two of the professor's students who feel duty-bound to enlist and, of course, find themselves in hell-hole Afghanistan. The title, "lions for lambs," shortens (and waters down) a Battle of the Somme observation by a German officer about the folly of British soldiers being led to trench-warfare slaughter by unyielding generals, "Nowhere have I seen such Lions led by such Lambs." In essence, the lions are hopeful American boys and the lamb/donkeys the self-righteous leaders ill-equipped to manage them either militarily or politically.
The fractured, unthrilling narration skips back and forth between smooth senator, war scenes and anguished (Vietnam vet) professor. But the failure to decide just who and what are important at any given time dishonors the underlying message of hypocrisy abundant, good young men wasted and American idealism betrayed. It's an abnormally annoying outcome in the hands of Redford, whose worst films are usually more accomplished.Reviewed by: Marcia Yarrow