July 29, 2010 | Rome, Italy | Partly Cloudy, 27°C
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Fiction

Love and Obstacles

Aleksandar Hemon started writing English in his 20s. A decade later, he's a master.

Reasons for and Advantages of Breathing

Lydia Peelle spins strange and wonderful magic from America's rural outback.

My Revolutions

Hari Kunzru's attempt to make 60s terrorism relevant suffers from tediousness.

36 Arguments for the Existence of God

Rebecca Newberger Goldstein "fangs" away enjoyably on the subject of God.

Little Hands Clapping

Dan Rhodes runs riot in this suicide-loving, penis-munching satire of all things macabre.

Point Omega

Don DeLillo mixes Iraq, Hitchcock, and intimations of doomsday in his dubious Omega brew.

The Stories of Breece D'J Pancake

Pancake's stories continue sparkling long after his death by suicide in 1979.

Monsieur Pain

Bolaño takes his magic and alchemy to prewar Paris.

Any Human Face

Charles Lambert's new novel puts a modest man on a collision course with Italy's dark side.

The Concert Ticket

Olga Grushin confirms her status as one of the best young writers in the English language.




BOOK REVIEW
The Collected Stories of Leonard Michaels
By Leonard Michaels
Farrar, Strauss, and Giroux, 2007. 403 pages

Reading Leonard Michaels' first collection of stories "Going Places" (1969) is — to borrow an image from the poet Yehuda Amichai — like banging one's head against a door and screaming, "My head, my head!" With razor precision, Michaels scouts out the psychological underbelly of late '60s New York. These early stories have a tough sexual edge and a nervousness that is never resolved, but only adds a sense of desperate urgency. Every dialogue is fragmented into near incomprehensibility as the situation comedy spins out of control, despite the fact that not much actually happens. An aged Talmud scholar slips on the ice ("What's-a-matta, fuckhead, too much vino?" quips a police officer); a rabbi's daughter is raped by a Turkish student, then hangs herself; Phillip escapes his girlfriend's father's ire by fleeing naked into the subway; discovering he has gonorrhea, the narrator vomits in his own shoe ("I yelled; she ran in; I pointed. Why is it green?") then hops the downtown express at 3 a.m.

It's tempting to say that, after "Going Places," it's smooth sailing. But Michaels' second collection, "I Would Have Saved Them If I Could" (1975), is no less informed by a kind of gun-to-the-temple psychoanalysis. The stories get longer and less compressed; the narrative style smoother, less frantic. Sex is always in the foreground and explicit (and often hilarious), though never quite spirals into literary voyeurism. The sentences sometimes reach 20 words or more.

The only section of the book that seems onerous is "Journal," a 50-page performance that is, despite a few deft passages, what it advertises. Readers who make it to the final Nachman stories — left uncollected at the author's death in 2003 — will find a wise, mature storyteller telling the best tales of his career.