May 23, 2013 | Rome, Italy | Patchy light rain 16°C
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Fiction

Natasha and Other Stories

David Bezmozgis' debut is a quiet marvel about Latvian Jews in Toronto.

In the Wake

Per Petterson's portrait of a haunted man is both skeletal and convincing.

Bonsai

Alejandro Zambra's novella tackles life, death and Chile — hold the politics.

The Road

Little short of Flemish dreams can prepare a reader for vintage McCarthy.

On a Day Like This

If you're looking for 21st-century existentialists, Mr. Stamm's your man.

Correction

Thomas Bernhard's philosophical masterpiece is 250 pages of unfiltered genius.

Desperate Characters

Paula Fox's 1970 novel is a beautiful portrait of the bloodshed contained in ennui.

The Passion According to G.H.

Clarice Lispector's forgotten classic is a rumination that defies known gravity.

Wittgenstein's Nephew

Young Werther is minor league when it comes to Teutonic crankiness.

In Persuasion Nation

George Saunders climbs into the belly of the beast and emerges with Eddie the Vacant.




BOOK REVIEW
The Collected Stories of Leonard Michaels
By Leonard Michaels
Farrar, Strauss, and Giroux, 2007. 403 pages

Reading Leonard Michaels' first collection of stories "Going Places" (1969) is — to borrow an image from the poet Yehuda Amichai — like banging one's head against a door and screaming, "My head, my head!" With razor precision, Michaels scouts out the psychological underbelly of late '60s New York. These early stories have a tough sexual edge and a nervousness that is never resolved, but only adds a sense of desperate urgency. Every dialogue is fragmented into near incomprehensibility as the situation comedy spins out of control, despite the fact that not much actually happens. An aged Talmud scholar slips on the ice ("What's-a-matta, fuckhead, too much vino?" quips a police officer); a rabbi's daughter is raped by a Turkish student, then hangs herself; Phillip escapes his girlfriend's father's ire by fleeing naked into the subway; discovering he has gonorrhea, the narrator vomits in his own shoe ("I yelled; she ran in; I pointed. Why is it green?") then hops the downtown express at 3 a.m.

It's tempting to say that, after "Going Places," it's smooth sailing. But Michaels' second collection, "I Would Have Saved Them If I Could" (1975), is no less informed by a kind of gun-to-the-temple psychoanalysis. The stories get longer and less compressed; the narrative style smoother, less frantic. Sex is always in the foreground and explicit (and often hilarious), though never quite spirals into literary voyeurism. The sentences sometimes reach 20 words or more.

The only section of the book that seems onerous is "Journal," a 50-page performance that is, despite a few deft passages, what it advertises. Readers who make it to the final Nachman stories — left uncollected at the author's death in 2003 — will find a wise, mature storyteller telling the best tales of his career.