Jude Law plays a submarine captain and mercenary in a move that drowns.
Tim Burton fails to animate a story about an American painter whose art is "stolen" by her husband.
Laurence Michael Levin's screwball comedy is neither screwy nor particularly funny.
Michael Keaton is the mesmerizing fall guy in Alejandro González Iñárritu’s movie about acting, celebrity and identity.
Sam Taylor-Johnson's painful take on E.L. James's BDSM novel leaves everyone shackled.
There's plenty of style to spare in Ridley Scott's Napoleon-era first feature.
A story about what might have happened to the original Superman is stylish but shallow.
Irish writer-director Ivan Kavanaugh's haunted house riff does all the right things, but flatly.
A horror thriller about bereavement, estrangement and necrophilia is odd but incomplete.
Tommie Lee Jones again proves himself at home making and starring a Western.
Directed by: Nanni Moretti
Starring: Nanni Moretti, Jennifer Beale
Nanni Moretti’s version of Fellini’s “Roma,” though he widens the lens. Three skits bring together all that’s trenchant and whiny about Italy’s favorite leftist filmmaker. There’s a Vespa homage to Pasolini with Jennifer Beals along the way (and Keith Jarrett’s throbbing piano); a charming foray to the Aolians in which "The Bold and the Beautiful" plays a key role; finally, Moretti rants on about doctors (he had non-Hodgkins lymphoma). Warts aside, this is an irresistible Rome (and Italy) movie because all the political slings and arrows illustrate a typical Italian paradox: cynical optimism.Reviewed by: Marcia Yarrow