Jude Law plays a submarine captain and mercenary in a move that drowns.
Tim Burton fails to animate a story about an American painter whose art is "stolen" by her husband.
American sniper Chris Kyle is portrayed as a simple and direct man, to Clint Eastwood's credit.
There's plenty of style to spare in Ridley Scott's Napoleon-era first feature.
A story about what might have happened to the original Superman is stylish but shallow.
Andrey Zvyagintsev's deeply moving account of a Russian life in tatters is high on fatalism.
Irish writer-director Ivan Kavanaugh's haunted house riff does all the right things, but flatly.
A horror thriller about bereavement, estrangement and necrophilia is odd but incomplete.
New Zealander John MacLean constructs a brooding Western from a host of quirky parts.
Bradley King's supernatural thriller has a good idea but its characters soon find themselves boxed in.
Directed by: Nanni Moretti
Starring: Nanni Moretti, Jennifer Beale
Nanni Moretti’s version of Fellini’s “Roma,” though he widens the lens. Three skits bring together all that’s trenchant and whiny about Italy’s favorite leftist filmmaker. There’s a Vespa homage to Pasolini with Jennifer Beals along the way (and Keith Jarrett’s throbbing piano); a charming foray to the Aolians in which "The Bold and the Beautiful" plays a key role; finally, Moretti rants on about doctors (he had non-Hodgkins lymphoma). Warts aside, this is an irresistible Rome (and Italy) movie because all the political slings and arrows illustrate a typical Italian paradox: cynical optimism.Reviewed by: Marcia Yarrow